عنوان مقاله [English]
نویسندگان [English]چکیده [English]
Vahid abedinpoor Abolhasan fayyaz anosh Masoomeh samaei The link of the Calligraphy and Tashayyo, Timurids are Turkish – Mongolian dynasty that ruled on Iran and maoraalnehr generally in 771- 913 years. The migrating and settling life at the same time in Joghatay Alus and central Asia led to brief familiarizing of Timur and his substitutes with Islam and Iranian culture. Therefor, the factors of Iranian Identity including Iranian art and shia religion found more time for growthing and unifying. Torelarant policy of timurids governors, the link of Sufism with the shia, individual or poral Shiites trying made the context for developing shia in the social dimension particulariy. On the other hand, Iranian art and its numerous branches, particulariy calligraphy in this time are like context that the other components of Iranian identity for example shia are its texts. The calligraphy as sacerd and Islamic art, had close contact to the shia in the timurid era. Spiritual inspiration and modeled the character of Imam Ali and application of Shiite culture in the system of the master – apprenticeship are the theoretical dimension and writing manuscripts, poems and inscriptions are placed in a practical dimension of shia. The present research aimed at defining the role of the calligraphy in the publication and display of religious belief in the Timurid community and how to communicate this with shia at this time. On the other hand, are looking to investigate the causes of this communication. The method of this article is descriptive – analytic and is based on historical and artistic documents or resources.